The Curtain 53: Acts of creation š£
Thinking about the birth of new audio forms, and the nature + relationship of theatre and film
Hi friends,
Welcome toĀ The Curtain, a newsletter about culture, theatre, creativity, art, and the future. Itās written by me,Ā Gus Cuddy.
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Hope youāre safe and well.
It seems weāre settling into this new normal, at least for now. It looks that social distancing efforts are working to some extent, which is great. But I still just donāt know when weāre going to be able to gather in large crowds againāand I donāt think anybody does.
While weāre stuck here, I want to start a series onĀ The CurtainĀ of interviewing theatremakers, filmmakers, writers, and artists about the future of art, both autographic and allographic (for a definition, see this weekās Notes from the Week). Iām really excited about thisāif you have any suggestions, let me know.
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PRIME by Heather Christian - theatre for your ears - is a success
Playwrightās Horizonās Soundstage is a free podcast project that has been in the works for a while, nowāfar before the pandemic hit. They launched it early in April, though, for obvious reasons. As Iāve written outĀ before, Iām both optimistic about the potential of audio theatre and skeptical about its reach.
Iāve only listened to PRIME once, but I loved it. Itās exactly what Iāve always wanted audio theatre to beāitās not a radio play, itās not just recorded theatre: itās a theatrical experience, uniquely suited to the audio form. The intimacy of modern audio listeningāa medium we usually experience with earbuds, thatās become less of something external and more just an extension of our earsāmirrors, in some way, the intimacy of theatre. And the easier access of high-quality recording tools can make these experiences feel alive and personal. I loved Christianās music, and the simple, direct form of the piece, which felt refreshing and actually alive.Ā Critic Helen Shaw also loved it.
The description forĀ PRIME: A Practical Breviary:
Inspired by breviary masses performed by cloistered monks, PRIME employs modern language and rich, contemporary musical arrangements to reimagine what a modern prayer for a Tuesday morning at 6AM might sound like.Ā
Iām really excited to hear how the other commissioned playwrights, which includes Jordan Harrison (Marjorie Prime), Lucas Hnath (The Thin Place), Qui Nguyen (Vietgone), and Robert OāHara (Bootycandy)āan unfortunately all-male list, but Iām assuming they will announce moreātake on this challenge. Iām especially interested to hear what Hnath does with the form. HisĀ DANA H., which unfortunately closed early, wasĀ a stunning mix of documentary theatre, personal story and performance feat. Part of the rise of success in podcasts has been due to the true-crime genre, popularized in shows like Serial, S-Town, My Favorite Murder, and many more. Iām fascinated to see how playwrights might be able to use those tropes, whether sincerely or by subverting them, as they intermingle with their own work.
Understanding Film and Theatre
Since weāve been trapped at home, Iāve been watching a lot more movies, and also watching some filmed theatre. Iāve spent a lot of time mulling over the relationship between the two seemingly similar mediumsāand, more abstractly, the qualities of great art.
Iām working on a longer essay trying to understand, in depth, the two mediums. Iām including some of that here.
Theatre is a medium of metaphor, film is a medium of relation
Literalism is the great enemy of theatre. If I wanted to see something literal, I would go watch a period movie.
Instead, theatre is an art form of metaphors. It is not merely a visual medium. If it were, you could just have a painter make a pretty stage picture. But thatās not what weāre going for. Itās through metaphor that we, as audiences, fill in the gaps. Itās through metaphor that we come to better understand ourselves, better exercise our empathy. The possibilities in theatre are limitless when it is treated in such a way. Suddenly, every aesthetic limitation it seems to have is seen in a new dimension.
Likewise, there is film that reproduces the bland and theatrical (that is to say, naturalistic theatre)āmerely aiming to be a photographic reproduction of a stage showāand then there is film that uses all the resources of cinema and cinematographyāmoving images, sound, editingāto actuallyĀ create.
The power of film comes from theĀ inter-relationĀ of its images and sounds as they are cut together; images coming into contact with other images are analogous to colors coming into contact with other colors when painting. The act of creation involves moving images and soundsācapturing people, not just charactersāsliced together into something that is a personal manifestation of the filmmakerās unconscious.Ā
Which brings us to a shared similarity: both theatre and filmsāand all art that I knowāare acts ofĀ creation, driven from the unconscious.
Merely reproducing somethingāwhether that be theatre reproducing film (such as in a piece that doesnāt understand what form it wants to be), or film photographically reproducing theatre (such as in a boring movie that just tries to film actors doing acting things)āis not art. Even attempts to naturalistically reproduce ālifeā are not necessarily art. Real art involves actual creation, creation that makes something that isĀ alive. (A sink/swim test for a piece of theatre is the simple question: does it feel alive?)
There can be exceptions: sometimes the humbling, human attempt at representation can be artful.Ā Still, I would argue that even these attemptsāusually seen in grand paintingsāare not aiming at exact photographic reproduction. They are aiming at a deeperĀ realism: to portray the world as it is, not how it looks.
For example, when I look at one of Rembrandtās late self portraits I see, on the one hand, an attempt to reproduce life. But on the other hand, Rembrandtās painting portrays the worldĀ as it is, not necessarily how it looks. The facial detail is thereācapturing his older, declining faceābut the rest is loose, blurry, shadowy. What Rembrandt wanted us to see was the expression of this moment on his mindādrawing focus to his aging face, seen in the same way his younger self-portraits were.
Notes from the Week
What weāve been watching
As I wrote aboutĀ last week, Mari and I have been watching movies only made by women. Itās been really refreshing for me to try to open my eyes more to perspectives that are not my own. Iām keeping a running and evolving checklist of what we want to see. If you want to check it out and/or follow along,Ā you can check it out here.
What I liked this week:
The Rest I Make Up (HIGHLY recommend this tremendous documentary on Maria Irene Fornes, directed by Michelle Memran)
Atlantics (Mati Diop)
Autographic vs Allographic art
Nelson Goodman in āLanguages of Artā defines two different types of art: autographic (identified with handwork) vs allographic (re-created in performance).
Itās an interesting distinction that is especially pronounced today, with both the internet and COVIDā19 strongly favoring autographic art.
But can there be crossover between the two?
Autographic:
Film (sort of)
Painting
Sculpture
Writing
Recorded Music
Allographic:
Theatre
Dance
Live Music
Get yourself some digital scripts
I highly recommendĀ 3 Hole PressĀ as a small publisher of scripts. Support them by grabbing a $5 PDF of one of their published scripts right now.
German Theatre
I guess another cool thing about theatre becoming more literate with the internet is that weāre also becoming more international. Hereās a great thread on Berlin theatre thatās available to stream.
What to do during a plague, Shakespeare-style
FromĀ Rob Weinert-Kendtās feature in American Theatre, āNo Showā:
Shakespeareās career was famously interrupted by the Black Plague, during which time, as Edelstein pointed out, the Bard and his colleagues did three things:Ā āThey made plans for what they were going to do when theatres reopened. They toured the provinces, sold props, costumes, bundled plays and sold themāthatās how the First Folio got made. And they went to the King and said, āHelp.āā
The whole thing is a recommended, overview-style read.
End note
Artwork byĀ Kyutae Lee
Thatās all for this weekāthanks so much for reading!
If you enjoyed this, I would really love it if you forwarded it to a friend or two.
As always, you can access the entire archiveĀ here.
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See you next week!
-Gus